Jill Scipione’s skulls exist in a drawn
space of color and line, a structure of
the spirit. Here the skull is seen as the
only thing left on earth that speaks of
that person's existence: the individuality
and reality of people long dead and our
relationship to them.
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Presents albums of images by current artists
working in drawing, photography and painting.
contact: victoryhall1@msn.com
201 823.9393
working in drawing, photography and painting.
contact: victoryhall1@msn.com
201 823.9393
“ James Pustorino synthesizes science fiction, comic
books, Abstract Expressionism and psychedelic art,
all in the service of approximating the profound
mystery of existence. A.mythic narrative about a
being born into space, where he struggles to
understand his surroundings and purpose. It's the sort
of existential crisis everyone inevitably faces, but
Pustorino translates that mental anguish into
physical upheaval, as this particular being is born,
like a star, in outer space, amid planets and darting
rockets. “ - John Motley, The Oregonian
See more images at www.universechild.net
books, Abstract Expressionism and psychedelic art,
all in the service of approximating the profound
mystery of existence. A.mythic narrative about a
being born into space, where he struggles to
understand his surroundings and purpose. It's the sort
of existential crisis everyone inevitably faces, but
Pustorino translates that mental anguish into
physical upheaval, as this particular being is born,
like a star, in outer space, amid planets and darting
rockets. “ - John Motley, The Oregonian
See more images at www.universechild.net
James Pustorino: Universechild
54 pages- 44 illustrations in full color, 8" x 10"
54 pages- 44 illustrations in full color, 8" x 10"
Carl Vierow’s drawings, like poetry, are worked out
thoughtfully and over time. Packed with back-
stories, personal symbols, schematics and maps to
a structure of his imagination, each is
emphatically meaningful to him. For us they are
messages left behind, like pictograms on a wall or
a note for us to decipher and ponder. Apparently
simple, they reveal themselves slowly, giving us
clues to a perception of a reality different from the
one we know. features 41 full color drawings
thoughtfully and over time. Packed with back-
stories, personal symbols, schematics and maps to
a structure of his imagination, each is
emphatically meaningful to him. For us they are
messages left behind, like pictograms on a wall or
a note for us to decipher and ponder. Apparently
simple, they reveal themselves slowly, giving us
clues to a perception of a reality different from the
one we know. features 41 full color drawings
Jill Scipione:
Skullnotebook
52 pages-
46 illustrations
in full color,
8" x 10"
Skullnotebook
52 pages-
46 illustrations
in full color,
8" x 10"
Victory Hall Press is a division of
Victory Hall Inc., a not-for-profit
arts organization producing
exhibitions, events, education
programs, public projects and
publications, based in the
NJ/NY metro area.
Victory Hall Inc., a not-for-profit
arts organization producing
exhibitions, events, education
programs, public projects and
publications, based in the
NJ/NY metro area.
THIS PROGRAM IS MADE POSSIBLE IN PART BY FUNDS FROM THE NEW JERSEY STATE COUNCIL ON THE ARTS/DEPARTMENT OF STATE, A PARTNER AGENCY OF THE NATIONAL ENDOWMENT
FOR THE ARTS, ADMINISTERED BY THE HUDSON COUNTY OFFICE OF CULTURAL AND HERITAGE AFFAIRS, THOMAS A. DEGISE, COUNTY EXECUTIVE, AND THE BOARD OF CHOSEN FREEHOLDERS
FOR THE ARTS, ADMINISTERED BY THE HUDSON COUNTY OFFICE OF CULTURAL AND HERITAGE AFFAIRS, THOMAS A. DEGISE, COUNTY EXECUTIVE, AND THE BOARD OF CHOSEN FREEHOLDERS
Carl Vierow:
Detective at Red
Castle Pier and
other Drawings
50 pages- 8" x 10"
Detective at Red
Castle Pier and
other Drawings
50 pages- 8" x 10"
Hector G Romero: Last Coast Blues
74 pages- 8.5" x 11"Full Color on White paper
74 pages- 8.5" x 11"Full Color on White paper
If we consider drawing as a visual language, then
Hector G. Romero's are certainly essays, each one
frothing over with impressions, unique characters,
personal experiences; densely layered, packed
together into captivating narratives and executed
with a directness and elegance worthy of an
ancient Zen calligrapher. These complex
combinations of marks and movements, various
pencils and paints, recall elements of graffiti art,
surrealism, action painting and comic strip art but
create their own, ever-evolving aesthetic form.
Hector G. Romero's are certainly essays, each one
frothing over with impressions, unique characters,
personal experiences; densely layered, packed
together into captivating narratives and executed
with a directness and elegance worthy of an
ancient Zen calligrapher. These complex
combinations of marks and movements, various
pencils and paints, recall elements of graffiti art,
surrealism, action painting and comic strip art but
create their own, ever-evolving aesthetic form.
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New Drawing Series
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shopping cart.
You can still use see more link above to
view book details on Amazon
You do not have to have a PayPal
account to order through them using
from VHP
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plus
shipping
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see our books
Ibou Ndoye creates beautifully primal, vibrant
books of images that spring from his West African
roots and reflect all the bustling energy of his
experience of the NYC area. This publication is a
reproduction of a unique book on cardboard
made by Ibou Ndoye in 2011. Created with stencil
cut-outs, acrylic and latex paints and drawing
materials, it is one of several from that year's
output that employs masks and identity as a
common theme. features 36 full color drawings.
books of images that spring from his West African
roots and reflect all the bustling energy of his
experience of the NYC area. This publication is a
reproduction of a unique book on cardboard
made by Ibou Ndoye in 2011. Created with stencil
cut-outs, acrylic and latex paints and drawing
materials, it is one of several from that year's
output that employs masks and identity as a
common theme. features 36 full color drawings.
Ibou Ndoye: Taarou Adaa
42 pages 8.5" x 11" Full Color on White paper
42 pages 8.5" x 11" Full Color on White paper
$12
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from VHP
only $7
plus
shipping
to order this book at $7 + $3 S&H
TAAROU ADAA is a Wolof (Senegal) phrase that means
"the beauty of art or culture". Wolof, the native
language of of artist Ibou Ndoye, is credited with adding
such colorful, casually insightful words to our culture as
'jive', 'dig', 'jamboree', and 'hip' or 'hep-cat'. The origin
of this last, coming from the Wolof word 'hepikat', "one
who has his eyes open" or "one who is aware"- captures
best the spirit of these drawings. The artist sees more
than we see in the everyday world we share and turns
common sights into amazing, animate, icon-like forms;
creating a lively sense of beauty in TAAROU ADAA.
"the beauty of art or culture". Wolof, the native
language of of artist Ibou Ndoye, is credited with adding
such colorful, casually insightful words to our culture as
'jive', 'dig', 'jamboree', and 'hip' or 'hep-cat'. The origin
of this last, coming from the Wolof word 'hepikat', "one
who has his eyes open" or "one who is aware"- captures
best the spirit of these drawings. The artist sees more
than we see in the everyday world we share and turns
common sights into amazing, animate, icon-like forms;
creating a lively sense of beauty in TAAROU ADAA.
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shipping
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Ibou Ndoye: Forms of Faces
46 pages- 8.5" x 11"Full Color on White paper
46 pages- 8.5" x 11"Full Color on White paper
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New Drawing presents series of
innovative, current images from artists
whose work explores the visual and
conceptual language of drawing.
innovative, current images from artists
whose work explores the visual and
conceptual language of drawing.
